Social media musings, political commentary, sports ruminations, and movie reviews from your resident Los Angeles-via-Michigan dive-bar karaoker.
Typical of our current decrepit state of media that pundits would resort to the “But, he was doing it, too!” defense of Rush Limbaugh’s vile, misogynistic rant against Sarah Fluke. If it was wrong for someone else in the past but they were never called on it, then it’s still wrong for Rush now. I thought we learned that early on in elementary school.
Besides, there’s a big difference between Louis C.K. cracking wise on Twitter and Rush Limbaugh pontificating for hours a day on the radio. Because one is a comedian who spares no one from his raw style of humor (love it or hate it), and the other is the voice of a political party.
The reality is that people are going to say a bunch of shit that could offend us. Fine. Good. Free speech. So, if you’re going to defend Limbaugh, you shouldn’t be blasting others for having made the same infraction as justification for Limbaugh. That makes no sense. If anything, Van Susteren should be praising C.K. for being free to say what he wants and demanding the same respect of the first amendment from people who are angry at Limbaugh.
But, the real issue is that Limbaugh isn’t seen as the shock jock radio personality just-out-to-say-whatever-to-get-ratings that he is. He’s seen as a conservative prophet who, until this recent episode, was untouchable by Republican politicians, even when he said extremely inflammatory, racially-charged or misogynistic statements in the past (of which there are plenty).
The less influence Rush Limbaugh has on the political establishment, the more the defense that he’s just an entertainer can be realized. Until then, it’s different when Rush calls someone a “slut” (and he went far beyond just that) than when any number of comedians do so. Context matters. Of course, he’s still free to say whatever he wants but the reason that C.K. didn’t catch as much flak is because he’s understood to be an entertainer, not someone with massive political influence. No one thinks that C.K. speaks for an entire political party when he spouts off his crass humor. The same can’t be said for Limbaugh.
At first I was on the side of the people who were calling for boycotts of Limbaugh’s advertisers in order to put pressure on him to apologize, or just to punish him for being a flat out dick. I can’t say I blame people. But I end up on the same side as Andrew Sullivan and Bill Maher with saying that it’s never good to suppress free speech, even when we vehemently disagree with it.
The better course of action is to call out the reason why Limbaugh’s statements were considered to be so inflammatory, to question the relationship between Rush Limbaugh and the Republican Party establishment, and to continue to raise our own voices, to use our own free speech to bring attention to this and encourage a positive change. All of that will be better than simply attempting to quiet someone’s voice. I wouldn’t want that to happen to me. Surely I shouldn’t then ask that for someone else, especially when I completely disagree. What better defense you can give to someone if instead of arguing back you simply do everything you can to stop them from speaking?
Even if it means more voices that disgust us, it’s better in the long run to win the battle of ideas. Because when the cacophony is against you, you become the dissenter. Would you want to be argued against or simply silenced?
Photo courtesy of Palm Beach County Sheriff’s Office via Wikimedia Commons
I hate top ten lists.
So, I’m making a Favorite Eight list.
I find the arbitrary ranking of musicbooksmovies a futile exercise that only serves to encourage disagreement from other highly opinionated people, leading to endless arguments about which one is right in a realm where there is no right or wrong. Those discussions, usually fueled by wine in a dimly lit friend’s apartment, devolve into each party arguing to defend their own person (fuck you if you think Avatar was anything other than a CG remake of Ferngully: The Last Rainforest), rather than making any intelligent points about the validity of the works about which they’re at odds (Avatar did have similarities to that Robin Williams-starring animated picture; however, Cameron’s film offers a 3D experience unlike anything we’ve ever seen and I think that warrants merit on its own).
My personal paradox is that I love getting into those arguments, futile as they may be. So, I have to put out my list of favorite films of the year to get that discussion started. However, I refuse to rank them by numbers. To be honest, I don’t know how that’s possible given how varied are the genres of these movies and the necessary mood in which one should be in order to truly appreciate the film.
HERE ARE MY FAVORITE MOVIES OF 2011 SO FEEL FREE TO SLAM MY PICKS AND REMIND ME OF HOW STUPID I AM THAT I FORGOT TO INCLUDE ALL OF THE TRULY GREAT FILMS OF THE YEAR
WIN WIN
One of the first films I saw in 2011 ends up still being one of my favorites of the year. Tom McCarthy is three-for-three in his directorial career, with his debut The Station Agent – a rarely seen jewel of the 2000s – followed up by the excellent The Visitor. And now this. McCarthy is like the John Hughes for the 21st Century, deftly maneuvering between hilarious exchanges borne from the fantastically drawn everyday characters and genuinely earned touching moments that challenge you to hold back those tears. Win Win tells the tale of a small-town lawyer (Paul Giamatti) who makes an ethically questionable decision to become the legal guardian of an elderly man in order to collect the state aid for his own financially ailing family. All is well until the elderly man’s grandson appears in their lives.
ONCE I WAS A CHAMPION
Not sure why MMA fighters show up in two of my favorite movies this year considering I’m not an avid watcher of the sport, but that’s just the way it goes. Once I Was A Champion is a documentary focusing on the life and mysterious death of Evan Tanner, an introspective man who dominated the mixed-martial arts field before alcohol and his own existential issues with being a fighter brought him down and out, leading to his untimely death out in the Southwestern wilderness. I knew nothing about Tanner before seeing this film, but found him a captivating personality more due to how he wasn’t than how he was. He wasn’t boisterous, he wasn’t larger than life, he wasn’t a monster, he wasn’t the stereotypical alpha male. He was quiet, he liked to read, he was philosophical. Despite being a feared competitor, he never considered himself a fighter at heart. A sad tale without many answers, director Gerard Roxburgh paints an honest picture of Tanner’s rise and fall, leaving the audience to determine whether or not Tanner was who he thought he was.
THE INNKEEPERS
After much of the 2000s ruined the ghost story with all those unnecessary adaptations and sequels of adaptations of Japanese 90s horror flicks, Ti West reinvigorates the genre with this excellently hilarious and scary tale of a haunted hotel in New England. The Innkeepers essentially a two-person show: Sara Paxton and Pat Healy portray the two hotel employees charged with manning the front desk of the Yankee Peddlar Inn on its final night of service before closing its storied doors for good. They’d always heard tales of ghosts inhabiting the hotel and, figuring they had nothing better to do, might as well try to find proof while they’re there for the final few hours. Genuinely creepy it is, but those moments wouldn’t work nearly as well were it not for the endearing and believable relationship between Paxton and Healy, whose playful banter and wonderfully realized characters make this film the knockout that it is. The only knock would be Kelly McGillis’s character who feels a bit cliched and forced. With everything else running on all cylinders, it’s an easy thing to look past.
BEGINNERS
I had nearly zero desire to see this movie based solely on its trailer: all of those quirky “indie” tropes were apparent here, from the overly earnest voiceover to the subtitled dialogue of a dog (really?), Beginners threatened to be exactly the type of post-student film that mainstream moviegoers roll their eyes at. To my pleasant surprise, Mike Mills’ film about love, life, and loss is absolutely splendid, a cinematic treat that earns every emotion it evokes. Truly touching, it never gets maudlin, keeping a relatively light atmosphere considering its potentially heavy subject matter – a thirtysomething single man comes to terms with the end of his long-term relationship with a new one, all while dealing with his widowed father’s recent coming out of the closet and terminal illness. Familiar yet original, Beginners is a powerful, honest film that went from something I almost didn’t see to one of my favorites of the year long before I was even finished watching it for the first time. And yes, I ended up loving that little dog, subtitles and all.
WARRIOR
If you’ve seen the trailer (or DVD cover art to the right) for Warrior, you know the entire movie. You know every major beat, all the conflicts, and you can likely even guess the resolution. It doesn’t matter. What should’ve been a trite, umpteenth re-rehash of Rocky about two estranged brothers played by Tom Hardy (Inception) and Joel Edgerton (Animal Kingdom) who get into the ultimate fighting ring for different yet understandable reasons despite unlikely odds, ends up a remarkably powerful character study that delivers as many tears as knockout right hooks. And I mean that in the best way possible. Rarely do I agree with those obviously hand-picked critical praises that appear on the movie poster that say something like, “You’ll stand up and cheer!” But, in this case, that’s not hyperbole at all. I have a feeling this will be a staple on TNT in the near future, and I’ll be hard-pressed to not watch it every time it’s on, rooting for both brothers to win even though there can only be one named the victor.
SHAME
Shame, much like director Steve McQueen’s previous effort, Hunger, stars Michael Fassbender in a tour-de-force performance that makes or breaks the entire film. In both cases, Fassbender didn’t disappoint. And while he’s a force to be reckoned with any time he’s on screen, his absolutely mesmerizing and unforgettable in Shame puts his former performance to, well, shame. McQueen’s unflinching, brutal examination of sexual addiction follows Fassbender’s Brandon, a thirtysomething New York professional who needs an exorbitant amount of carnal knowledge but cannot handle any form of emotional intimacy. Brandon is sad and pathetic but not without charm. He’s not so much endearing as fascinating, making believable the notion that someone could truly be addicted to sex. Ultimately, it’s a challenging film on many levels, especially for traditional American audiences who shy away from graphic sex but gravitate toward brutal violence. Rather than something you pop in over and over again, Shame is a brave piece of cinema that is provocative without being salacious, taking the burden of hypersexuality to a level that honestly feels like a burden not the fratb0y overly masculine dream that it’s often portrayed as.
KILL LIST
Holy shit. This Mack truck flattened me into the asphalt and then ran me back over and spit on my mashed bones for good measure. Billed as hit-man-taking-one-last-gig movie, you go into Kill List with completely different expectations of what will occur over the next 100 minutes. Suffice it to say, you have no clue where this movie is going and are fully unprepared for what it delivers. I don’t want to give anything away because not only would it not nearly have much impact here in my woefully pathetic attempt at describing it, but you should just experience it for yourself. This is the reason I go to the movies: to be surprised, to see something wholly original, and to be unexpectedly knocked flat on my ass. I still haven’t met anyone who has seen this — I caught it at the AFI Fest, so hopefully it will be hitting either theaters or DVD sooner rather than later — and can’t wait to discuss it. Although I think I need to see it again to be able to discuss it properly. It’s that kind of a movie. If it weren’t for Drive, this would be my favorite movie of the year. In fact, depending on the day you ask me, it still might be. A genre-bending masterpiece.
DRIVE
On the flip side to Beginners, the 2-minute preview clip of Drive early last year had my interest so insanely piqued that I worried there was no way the actual film could live up to my expectations. It did. And then some. Nicolas Winding Refn’s cinematic brand of lyrical imagery combined with savage violence set to 80s retro music makes the leap from Europe to the US for the first time and it’s exactly what American film needed this sequel-soaked year. It’s not what you’d expect, to the point where some people were even suing the filmmakers for it being so not what they thought it would be. True, it’s not Faster and More Furiouser, and for a movie called Drive, there isn’t an overwhelming amount of car chases. Perhaps it would’ve been more properly titled Driver, since it is definitively about Ryan Gosling’s character, a Hollywood stuntman by day, freelance getaway driver by night, who excels at setting explicit boundaries both in his personal and professional life, until he gets attached to his comely neighbor played by Carey Mulligan. More than an action film, Drive is a film noir updated for the 21st-century’s lust for graphic violence and thumping musical scores, but manages to provide both in ways that serve the story rather than simply glossing over a hollow shell of a narrative; its style enhances its substance, making it easily the coolest film of the year.
HONORABLE MENTIONS
These flicks rocked; they just didn’t quite make it into the “favorite” column. I highly recommend seeing all of these, but I tried to be harsh in my parsing of the quality films of the year and any of these following films could’ve made the list had I done a favorite 10 or 15 films.
Margin Call, Moneyball, The Tree of Life, Attack The Block, Extraterrestrial, Into The Abyss, I Melt With You, The Future, Pearl Jam Twenty.
MOVIES I ADMITTEDLY HAVEN’T SEEN YET BUT PROBABLY WILL END UP ON MANY BEST-OF LISTS BUT I CAN’T SPEAK TO THEM BECAUSE THERE ARE ONLY SO MANY HOURS IN A DAY AND I DIDN’T SEE EVERY MOVIE THIS YEAR, SORRY
Melancholia, Martha Marcy May Marlene, Tinker Tailor Soldier Spy, We Need To Talk About Kevin, Hugo, The Artist, The Girl With The Dragon Tattoo
BEST HORROR-COMEDY SINCE SHAUN OF THE DEAD
Tucker And Dale Vs. Evil
GUILTIEST PLEASURE OF THE YEAR
Hall Pass. Twelve years ago, I wouldn’t have felt guilty to admit that I enjoyed a recent Farrelly Brothers comedy, but after about a decade of total crap (at worst) and forgettable misses (at best) this one surprised me. It’s actually hilarious if extremely conventional both in structure and theme. It’s not comedic gold, but considering the putrid shit that hit screens in the Year of the R-Rated Comedy (I’m looking right at you, The Change-Up and The Hangover Part II), the O.G. Restricted Maestros reign supreme once again. More of these, please, Peter and Bobby.
NO, I DIDN’T FORGET TO ADD TINTIN OR WAR HORSE INTO ANY OF THOSE LISTS
The Adventures Of Tintin looks like it could be fun so long as it ends up being more Raiders than Crystal Skull but the first trailer for War Horse looked like The Onion doing an amazingly hilarious parody of Spielberg-like Oscar-bait. I mean, a teenage boy so obsessed with a freaking horse that he devotes an entire sketchbook to personal drawings of it? That it was for a real film only made it that much funnier. Someone needs to cut that trailer into making it look like an equine Fatal Attraction. That would be amazing.
Oh, War Horse! I can't wait until that one day we can be together and start a wonderful family of centaurs!
Admittedly, I’ve heard more good reviews than bad. But that said, I’ve only heard of three people who have actually subjected themselves to it so I’d say the jury is still out. Given my low threshold for maudlin, syrupy schmaltz, I’d say regardless of the consensus, War Horse just ain’t for me. Maybe I should’ve seen it after all; it might have ended up one of my favorite comedies of the year.
Let the ad hominem slams begin!
The Occupy Wall Street movement continues despite getting met with evictions from public spaces across the country and mass misunderstanding of the general feeling behind the whole protest.
There have always been haves and have-nots. What makes this situation different is that, yes, the haves have tons more than ever before in history, but mainly it’s the sense of injustice felt by the have-nots, who have bore the brunt of the worst recession since the Great Depression, trying to survive in an economy where we’ve lost over a 12 million jobs yet only gained back 80,000 jobs in October, and for this, are branded as being lazy.
This is why you have people marching in the streets.
And in Chicago, anonymous flyers were spread around the entire Occupy area, supposedly written by the 1% and addressed to the 99%. Here is a photo of that flyer that has been making the email rounds so I don’t have anyone to credit for this:
Whoever wrote this misses the point entirely as so many do: it’s not about inequality, it’s about injustice. Yes, it’s their job to make money, but fleecing the middle class and then nearly collapsing the economy shouldn’t be part of that equation. There need to be limits. Rules of the road. Whether or not they were following those rules is up for debate (as is everything these days since opinion is now considered fact), but any sane person would look back on the past few years and say that we need a few more rules – or properly enforced existing ones – to prevent this sort of calamity from happening again.
It’s true that people weren’t complaining when the market was at 14,000. But, they should’ve been because it was all fake. It was all a con. And, yes, the market has rebounded decently, but the only ones who are really feeling the benefits of that are the banks and big business. Corporate profits are at record highs while the rest of the country still deals with 9-plus-percent unemployment.
Wall Street felt some pain but that was no different than the rest of America: jobs lost, retirements evaporated. But the difference is that their jobs came back quickly, or never even were lost, because we, the taxpayers, the 99%, bailed them out. And even if 51% of those 99%ers didn’t pay income taxes last year, they’re still paying for it with other state and local taxes, sales taxes, as well as all of the austerity measures aimed at cutting pensions, cutting public services, cutting public sector jobs, etc.
The nerve and sheer entitlement of this writer. There wouldn’t even be a Wall Street anymore if we lived in a true free-market economy because they all would’ve failed and this Wall Streeter would be having to put his money where his mouth is in regards to teaching and landscaping and everything else that he considers to be so unbelievably easy that he could just jump right into any other profession and do it better than you. It’s easy for him to demonize everyone else on high while his profession, his entire industry, was saved by us the rest of America, while our industries disappeared. Jobs haven’t just been lost; they’ve been exported, never to return.
Which brings me to another point: it’s not that people feel that they’re too good for landscaping and teaching; it’s that they want to be treated fairly. They’d like to be able to make a living wage doing those jobs. Instead, while the financial industry and corporate Americans in the 1% have seen their overall income go up by over 200% over the past 30 years, the average middle class worker has seen their wages remain stagnant. They’d also like to, you know, not be blamed for what almost became a global economic Armageddon because they receive a modest pension after being a police officer or custodian for forty years. Anyone who believes that is what caused the recession or is what is dominating our deficit prefers their own ideology over reality.
“We eat what we kill.” I have zero idea what they means. All I can assume is that he has unbridled greed that knows no ethical bounds (not a stretch, really) and it just reinforces to me why we need regulations to keep these pure ids from trying to destroy the economy again. Is that implying that families barely making ends meet are wasteful, not eating everything they kill? Or that they’re not as successful because they’re not cannibals like he and his kind are? Whatever.
His major fallacy (and, yes, I’m certain that the author behind this creed is a man) is that Joe Mainstreet doesn’t want Wall Street to not exist. Sure, there are the Occupy Wall Street loons out there on the fringes who want all debt absolved and other impossible scenarios. But the overall feeling is that there’s a middle-ground that can be achieved here. (You know, compromise? That act of giving up something you want in order to get something you want and then the other side does the same thing? That thing that you do with your spouse if you want to keep things moving along smoothly? Yeah, that.)
We need banks. We need investors. We need investment banks. We need lenders. We need businesses. We need entrepreneurs.
But we need a lot of other professions and industries, too, if our entire country is going to be productive, not just the plutocracy currently running things. The level of inequality is getting dangerously high, but I think that people would be willing to ride it out were it not for the accompanying injustice that exacerbates the feeling that there is a monster divide between the 1% and the rest of us. How else do can you interpret it when teachers, custodians, fire fighters, police officers, environmental regulators, factory workers, and everyone else are demonized as being lazy, undeserving, entitled, or all of the above simply because they want some accountability from the people at the top? As long as that’s happening, you’re going to find people on the street holding picket signs demanding something be changed.
Most of the Occupy Wall Street movement just want them to be held accountable for their actions. It’s about the injustice, not the inequality.
Class warfare. Both sides are accusing the other of waging it.
Mainly the GOP is blaming Obama for it with his plan to raise taxes on millionaires — and by millionaires I mean people who make a million or more per year. But there are also those on the left blaming the GOP for the same thing due to the status quo where the top one-percent control over fifty percent of the wealth in the country.
I think Obama framed it wrongly, by saying that the rich need to pay their “fair share.” This is an impossible argument. Everyone already feels like they’re paying their fair share already. And even those, like Warren Buffett, who argue that the rich should be taxed higher don’t necessarily want to just give up their money. (There’s a story going around the conservative blogosphere about how Berkshire Hathaway owes all this money in back taxes to the IRS but there isn’t a single MSM article confirming it. It may or not be true.)
The better way to argue it is simply this: all the spending that we’re cutting in order to reduce our debt has been gutting social programs that go overwhelmingly to the poor and middle classes, so by raising taxes on the rich back to 1990s levels – which were still not high compared to historical levels – it simply ensures that all Americans share in the sacrifice of reducing the nation’s worsening debt. You cut teachers’ pensions, you lay off state workers, you’re reducing the overall wealth of the working class, the middle class — whose wealth was hit the hardest in the 2008 recession, even more so than the rich. (The middle class tended to have most of their wealth tied into their homes which all drastically lost value while the wealthier classes had more diversified portfolios which rebounded quickly from the recession.) Tax hikes on the rich provide a balance. A necessary hit to keep the entire country afloat.
But then it becomes an argument about whether or not those programs should even exist anyway. Don’t buy into that. It’s a red herring.
If we’re not reforming Medicare/Medicaid, then the cuts are simply ideological in nature — cutting things like teachers’ pensions, police officers’ and firefighters’ jobs, etc. — and don’t come close to reducing our deficits by more than a tiny fractional amount. If anyone thinks that we’re going to solve the debt crisis by eliminating the EPA and cutting foreign aid have zero understanding of just how much of a percentage of the federal budget goes to those programs compared to the debt. It’s using the guise of fiscal responsibility to make partisan slashes to the budget.
And, for the most part, the Obama Administration has been on board with this, hoping to illicit some bipartisan support through their centrist game plan. It’s not worked very well.
So now here is the latest attempt, which has pleased some liberals with his class warfare claims to rile the base and put some pressure on the Republicans. It might work. Polls – including Rasmussen which tends to lean conservative – show that a majority of Americans favor tax hikes for the rich over spending cuts to reduce the debt. Maybe that is class warfare.
Or maybe it’s that the bottom 90 percent have felt stepped on and neglected for too long by both big business and the government and feel that it’s time that the rich take a little bit of a hit like the rest. Because while the rich will feel pinched by added taxes, they’ve also felt unprecedented benefits over the past thirty years, the 400 richest Americans seeing their wealth grow over 400 percent since 1995 while the majority of us have seen ours go down over the past decade.
My math isn’t that great, but raising tax rates roughly 4 percent on the rich doesn’t exactly negate those gains the rich enjoyed for the past three decades. Hardly class warfare. Class wrapping-on-the-knuckles maybe.
Republicans are already blasting President Obama’s jobs speech before he’s even given it, even though part of his plan is rumored to be extending tax cuts to spur growth, which tends to be the GOP talking point on fixing the economy.
Senate Minority Leader Mitch McConnell says that it’s just going to be more of the same failed policies.
But what are those same failed policies, exactly?
Ending off-shore drilling? Nope, that’s back to near pre-ban levels.
EPA’s regulations smothering business? Nope, the EPA’s new rule on smog has been pushed for two more years down the road.
Raising taxes on the rich? Nope, Obama extended the Bush-era tax cuts for everyone another two years as well as cut payroll taxes for all workers.
How about the financial regulation and health care laws? Most of those rules haven’t even gone into affect yet. Of course, the argument about that is that’s causing uncertainty in the markets. But there isn’t much data showing that’s the primary reason why companies aren’t hiring. Rather it’s plummeting consumer demand due to massive unemployment and extreme losses in overall wealth due to the housing market meltdown.
So it must be the stimulus, right? The dreaded stimulus that apparently not only did nothing but made things worse (even though job creation went up right after the stimulus and continued so – albeit not amazingly – until this past month or so, which coincidentally aligns with the end of most of the stimulus).
Is that the failed policy then that we can’t dream of repeating? Certainly it’s not the third of the package that was all tax cuts, since tax cuts are always a good idea (except when they’re not, right, Republicans?). And if that was what caused the spike in jobs, then shouldn’t the Republicans be pointing to that as evidence of good policy rather than blasting it?
At what point are taxes so low that there’s zero rebuttal about whether or not they’re working to stimulate the economy when job growth continues at an anemic pace? Because, honestly, we’re pretty much there now. The tax environment is as friendly as its been in recent history for business. Last year, GE not only didn’t pay any taxes on their $14 billion in profits, they got $3.2 billion back from the federal government. (Read: from us taxpayers.)
Why then haven’t they hired thousands of American workers?
Well, according to their own report, GE is planning to hire 8,000 workers in the next 18 months. Even though that’s a year and a half away, let’s just assume for argument’s sake that their tax refund from 2011 is what caused this growth. That would mean that it cost taxpayers $475,000 per job. A bit pricey and unsustainable considering we need over 14 million jobs to get back to where we were before the 2007/2008 calamity.
Even more troubling is that report comes at the same time as another report that’s not nearly as optimistic: it says that GE is moving their X-ray business from Wisconsin to China, with plans to invest $2 billion dollars overseas. They claim that this won’t result in job cuts, which may be true, but it’s hard to see much future American growth if they’re building new facilities in and moving business to China. Moving industries out of America rarely creates jobs in America.
And now I’ll let Andrew Sullivan finish this off with some nuggets of worthwhile factual information, his emphasis:
One third of the hated stimulus was tax cuts. Obama is now proposing an extension of the payroll tax cut. Tax revenues are at their lowest in fifty years and tax rates are lower than under Reagan. Obama even agreed to extend the Bush tax cuts for two more years. If tax cuts are the solution, why aren’t we booming?
Anyone?
The jobs crisis has been shoved under the rug in favor of other issues like the debt ceiling crisis and the Libyan massacre crisis. Now that there’s nothing but football and baseball to divert us from the fact that 14 million of us don’t have jobs, it’s finally come to the forefront of the federal government’s to-do list.
President Obama is going to announce some jobs plan tomorrow night and it should probably come as no surprise that it will be underwhelming. The reality is that we still have divided government and the Republicans completely disagree with every policy that the Democrats put forward, and vice versa. (Although, the difference between the two is that the Democrats keep enacting Republicans’ policies despite controlling two-thirds of the federal government.)
Since our government is representative of the general populace (at least, that’s the idea), it’s telling that we’re just as divided and conflicted over what to do about government spending and solving this jobs crisis as our elected officials.
According to this chart, much of our government spending evens out in 20 years, except for health care costs, which go up linearly to over 12 percent of GDP by 2051.
So, we know where the issue is in our budget. And we know that people, in theory, favor spending cuts to raising taxes. Per Reason.com 57 percent of Americans want primarily cuts in government spending. Even CNN’s poll found the same thing, although their poll revealed that 63 percent also favor raising taxes on the richest Americans and businesses as well as part of the overall debt reduction measures.
Great! Everyone agrees we need to cut spending. And we know where we need to cut. Done deal?
Not so fast. It turns out that an overwhelming majority opposes cuts to Medicaid – a Washington Post poll says 72 percent. A decent majority of 54 percent also oppose raising the Medicare eligibility age.
Since everyone is so desperate to cut government spending, and since no one wants to cut health care costs, that’s why we get the cuts we’ve seen happening: proposed future cuts in areas like defense that could end up not going through should the whole super-committee figure out something else. On the surface, it looks like we’ve made progress and the Republicans can claim victory to their cuts and the Democrats can say they’re not socialists out to just punish the rich with excessive taxes.
But really? For anyone crunching the numbers, our debt crisis has hardly been averted.
Perhaps that’s why, per a McClatchy-Marist poll, 59 percent of Americans prefer tackling the debt now even if it means slowing the economy down even further. You can blame the Republicans for being obstructionists when they adamantly refuse to add more to the debt to help fix the jobs crisis with new stimulus (except with their own proposed budget that added $5 trillion to the deficit over the next decade), but they seem to be voicing the opinions of a strong section of Americans.
For whatever reason, the fact that 14 million Americans are unemployed (and another 8.8 million not even counted anymore as they’ve completely dropped out of the workforce) doesn’t seem to faze a large swath of Americans, preferring to deal with an increasingly bleak jobs crisis for longer in order to cut down the debt, even though these two are connected. With fewer people working, that’s fewer taxes being paid to the government. It also means more revenue going out in the form of aid and unemployment benefits. It means less consumer demand, which means fewer business transactions, which means again, less revenue going to the government.
By solving the jobs crisis, we simultaneously help ease the debt crisis, since it stands to reason that getting more people to work will help curb our spending and increase our revenue without touching taxes.
But we can’t expect our politicians to listen to reason when a majority of us voters can’t either. I don’t know what the answer is. Perhaps more stimulus, which has a slim-to-none chance of getting passed through this Congress. (The Republicans are even talking of not renewing what little stimulus still exists out there for the average workers: the payroll tax cut – which means a tax hike. So you know they’re really against a stimulus when they’re in favor of tax hikes, which they’re scarcely in favor of.)
It’s no wonder we have so much faux-action in Washington. Since there’s no majority that agrees on the same way to fix it, looks like we’re destined to have this stalemate. And of the not-so-exciting options on the table, that might just be the worst possible response to this jobs crisis.
A hot phrase these days regarding middle class taxes, particularly coming from pundits and guests on conservative TV like Fox News, is “skin in the game” — implying that the lower near-50 percent of earners in America who don’t pay federal income tax due to 1) their lack of income and 2) government programs like the Earned Income Tax Credit, need to pay something in order to warrant them receiving any benefits from Washington.
But what “game” are they referring to?
The only definition could be the game of federal income taxpayers since even the poor pay taxes if not on their income. There are plenty of middle class taxes on Americans, like the payroll taxes for Social Security, Medicare, and Medicaid that affect every worker regardless of income level on nearly every dollar they make, as well as sales taxes that hit people with nearly every item they purchase.
In fact, contributions to Social Security is capped, meaning that no matter how much you make over $106,800, you don’t pay any extra into the system. Someone making $1 million a year will pay the same amount as someone making $107,00, making that contribution seem smaller and smaller as you make more money — less skin in the game, so to speak, while still a weekly burden to the poor.
So, it’s not as if the bottom 60 percent – who, combined, earned the same amount last year as the top 1 percent of earners – have no skin in the game.
The game we should be looking at is the overall American economy, not this myopic view of only income taxpayers. It’s not some fiscally pure notion seeking fairness and equality to want everyone to pay a share of their income to Uncle Sam since these same people are not remotely in favor of taxing hedge fund managers – some making billions of dollars per year – at their equivalent income tax rate instead of the current loophole that allows them to only be taxed at the capital gains rate – which is roughly the same rate that a married couple making $25,000 would pay. For everyone to have skin in the game, per those rudimentary terms, then those clamoring for the poor to do their part should be also demanding the same of the rich.
But this isn’t about that.
The dwindling middle class already has plenty of skin in the game. They stand to lose much more than the rich if they have to pay more to the government while programs that benefit them the most get cut. Programs like public education. This year, some state colleges in California have had to raise their fees by at least 22 percent — some up to 30 percent higher than last year — because of state budget shortfalls.
The cost of education has already been skyrocketing and we all know that those with college degrees have a drastically lower unemployment rate (4.5 percent compared to 12 percent) and much higher average salary over their lifetimes than those with just a high school diploma; meaning, that as fees go up and fewer lower income families can afford to send their kids to college, that’s more people stuck in lower paying jobs — or more people going into even more debt to climb out of their station in life. As the lower classes try to stay competitive with the wealthy, they find themselves burdened with more and more debt just to keep the playing field even.
That’s just one example. And if that’s not skin in the game, I don’t know what is. Because the game is about being a member of American society, of which we’re all a part regardless of how little is collected from middle class taxes. And the more of us who are involved in the economy, the better we all are, including the very rich. Kicking the poor while they’re already bearing the overwhelming brunt of this Great Recession makes no sense.
The richest one percent of households in America possess as much wealth as the bottom 90 percent combined. That we should be damning the middle and lower classes for not pulling their weight as their wages drop, as their jobs disappear overseas, as their buying power shrinks, is sleight of hand by the plutocracy to keep our attention focused on anything but the handful of major corporations who gain more and more control over our country and its policies.
Don’t buy into it.
Photo courtesy of RLHyde’s Flickr Photostream.
The debt ceiling crisis has dominated the national dialogue for months now, to the point where we don’t even bother talking about how we’re still fighting in Libya despite President Obama’s declaration that it’d be a matter of weeks not months, nor does it get much press that Iraq was the deadliest month for American troops in the past two years.
But it sure has been entertaining political theater. In fact, it’s so much like a Hollywood blockbuster that I thought it might be worth looking back at some movies that could end up being extremely prescient metaphors for our current debt ceiling debate.
We’re nearing the end of the second act, with all the tension building as the ticking clock of the August 3rd deadline looms so close and the parties look like they’re nowhere near a deal.
Depending on how it all works out, here are some possible cinematic analogues to the debt ceiling crisis that we’re witnessing daily on cable news:
Terminator 3: Rise of the Machines – After an exhilarating back-and-forth chase sequence after chase sequence that we swear we’ve seen before almost exactly, we come to some agreement at the 11th hour (hallelujah!) only to find that Moody’s lowers our credit rating anyway (Skynet is the Internet!), jacking up interest rates (launching nuclear strikes at Russia!) and tanking the already sluggish economy even more (robopacalypse!). At least John Connor is still alive and kicking so he can send a savior into the past later in the future to save the past from the future even though the future is inevitable so either way the world ends up as burning rubble.
2012 — Both parties are too busy blaming each other for the debt ceiling crisis and making competing bills that have no chance of being approved by the other party (or even by their own party) that they miss the deadline, we go into default, the global economy collapses, mass chaos and world wars until a fraction of the population is left alive but everything is better now that we can start over from a clean slate now that we’ve learned our lesson about the dangers of fiscal irresponsibility. Directed by Roland Emmerich.
Nick of Time — Obama as Johnny Depp and Boehner as Christopher Walken, not that one is the good guy and the other is the bad guy, but more that Boehner manages to have the upper-hand despite controlling only 1/3rd of the government but he’s holding the economy hostage much like Depp’s daughter and so Obama finds himself between a rock and a hard place just like Johnny — kill the governor or your daughter dies. Cave to the Republicans or America defaults. This one actually ends well even if it’s rather unbelievable. The daughter lives in the end and Boehner’s time as Speaker of the House ends as the freshman House Republicans cannibalize him for striking any deal that Obama agreed to. But you can’t imagine that Depp and his daughter are going to be emotionally sound any time after that ordeal.
Pretty Woman — The prostitute with the heart of gold. The businessman who learns the value of building a product rather than tearing companies apart just to make a dollar (and also puts aside the fact that his new-found love used to have sex for money while trolling Hollywood Boulevard). In this case, they’re one and the same — politicians on all sides whoring themselves out to big business for campaign donations and the expense of the middle class (dignity, STDs, etc.). You get the idea. Also the least likely scenario to end up coming to fruition in real life. 2012 is more realistic than this fairy tale. Maybe if Go West were providing the soundtrack to CSPAN it would give us that same optimistic feeling. Go West makes everything better. Even a debt ceiling crisis.
Heaven’s Gate — Nothing good comes from this one. Director Michael Cimino went drastically over budget on his Western epic, reportedly having sets rebuilt from the ground up because minor details that weren’t even going to be captured on screen weren’t up to his standards. It was one of the biggest bombs in all of Hollywood history, destroying Cimino’s career and bankrupting the studio that funded it, United Artists. A total disaster for just about everyone involved except for the actors, many of whom still have careers to this day, 30 years later. Substitute United Artists with the global economy, Michael Cimino for average Americans, and the actors for the politicians. Arguably a worse outcome than 2012.
The Sixth Sense — Everything’s leading up to this supernatural climax where the little kid can see dead people and Bruce Willis’s wife won’t speak to him and we find out – gasp! – Willis has been dead the whole time! What a twist! Substitute the Congress for Haley Joel Osment and the rest of us watching this political theater are the movie’s audience only to find Obama come out of left field by invoking the 14th Amendment. This whole charade was just a sham! All just exciting political theater to provide us new entertainment since all movies this summer are either remakes or adaptations! The debt ceiling could be raised this whole time! You got us M. Night Obamamaylan.
I’ve got my money on Nick of Time. But there’s a totally possible chance of T3.
But actually, I think the real winner of this debt ceiling crisis is:
AVP: Alien vs. Predator — The movie’s tagline was “Whoever wins, we lose.” I think that just about sums it all up to a tee.
Photo courtesy of Heritage Vancouver’s Flickr Photostream.
Much of that inchoate anger that stemmed from the economic meltdown, the bank bailouts, and massive unemployment coalesced into the Tea Party movement, misguidedly aiming it all at the government for the bailouts rather than the banks for their pivotal role in the economic meltdown.
New York Times columnist William D Cohan reminds us not to let go of our anger, pointing to the recent rallies and demonstrations against Wisconsin Gov. Scott Walker over collective bargaining rights for teachers unions, wondering why Americans don’t seem to be doing much of anything against the banks who haven’t gotten so much as a slap on the wrist for their pivotal role in the current recession.
Cohan openly calls for the Justice Department to release the findings of their investigation to explain to the American public just why they are not bringing charges to any of the bankers involved in the meltdown (aside from those in Bear Stearns who were already found not guilty in court and Raj Rajaratnum, who was convicted of insider trading at Galleon Group, a hedge fund, which wasn’t an activity that had any impact on the economic meltdown as his crimes resulted in about $60 million, not the trillions that were lost and cost in the financial crisis).
I’d be curious to read that, but I don’t imagine that there’s anything to tell. Because the reality is that the problem wasn’t just by a few bad eggs: it was our entire economic system. With banks able to leverage so much capital – during the heyday before the collapse upwards of 30 times the amount of money they had on hand – there was no reason to not get overextended while people were making billions of trades. Of course the bottom dropped out and everything went to hell in a handbasket.
So, I don’t think that people are losing their anger. They just don’t know what to do about it. They feel powerless. Those who voice their vitriol find it easier to point to a political party or to a catchphrase like “big government” as the culprit than understanding the complex relationship between investment banks, deposit banks, the Fed, the Treasury, insurance companies, hedge funds, and mortgage-backed securities.
And even if you’re one of the few who do understand that intertwined network of money transfers that involve more zeroes than most people can even fathom, how do you protest an entire system? It’s not as if Fannie Mae and Freddie Mac were the only culprits. Or JP Morgan. Or Goldman Sachs. Or AIG. Or the NYSE. Or the SEC. It was everyone. It was the whole damned thing and nearly everyone in it.
And especially, how do we protest that system when so many us aren’t part of that game? I don’t have any investments. I’m one of those Americans that have the opposite of investments – I have debts. (People invest in me, is how I like to call my debt burden. Sounds so much more impressive, doesn’t it?) I suppose I could pull my money out of my Chase bank since it used to be Washington Mutual but got bought out by JP Morgan after it failed; but I doubt they’d miss my several hundred dollars that I keep in there on a regular basis. Not when they’re making money off borrowing from the Fed at a miniscule amount of interest and then turning around and lending it out at much higher rates — or, rather, in this case, buying bonds from the government; essentially, lending that very money back to the federal government at a higher interest rate than they borrowed it initially. And when I say “federal government,” of course that means “taxpayers.” Incredible, right? This is actually happening.
The anger gets superseded by frustration because there just doesn’t seem to be any recourse that we can do on an individual basis to make any sort of difference or dent. Certainly it’s not electing “the other guy” every two or four years; that’s shown it doesn’t work when it comes to this problem since everyone is beholden to the big banks.
Perhaps the best thing we can do is to continue to keep this conversation going. To not become complacent to the point of just accepting this as the status quo. But again, I just don’t know how much that will change. So far that’s all we’ve been doing and the banks are turning profits already while we still have 9 percent unemployment and over 13 million Americans out of work. I just wish I knew what to do.
Seemingly moments after President and First Lady Obama invited rapper/actor/poet Common to the White House for an “Evening of Poetry” for students, the conservative media machine launched into Defcon 1 full-court press blasting the choice, going so far on Fox News’ Hannity TV show to even give this whole event a name: “The Invitation.”
It’s beyond laughable. I mean the fact that anyone cares about some poetry night (honestly: no one cares about poetry; name the current poet laureate and any other poet other than Walt Whitman, Emily Dickinson, Robert Frost, Shakespeare, Dr. Seuss, or Shel Silverstein… go ahead, I’m serious) at the White House is a rather coup, I must say, since I’m pretty sure most Americans have much more relevant issues to worry about in their lives.
Like Common or not, it’s irrelevant. But, what’s truly worthless is bashing the Obamas’ choice to have him perform at the event as being an affront to “class and decency,” as Sarah Palin called it. The blanket conservative response is to point to a couple lines of one poem, taken out of context, that sound like he’s advocating killing cops and is against former President George W. Bush. (Yes, this only perpetuates the notion that conservatives are tone-deaf when it comes to art in general, solidified by their desire to cut funding to the National Administration of the Arts of all things.)
It’s altogether the wrong response. Sure, it unifies the all-white suburban parents who have never left the towns they grew up in by placating to their ignorant notions that all black kids wear baggy jeans, stroll through class wearing headphones blasting that rap music, and speak only in Ebonics. But those people were most likely already voting Republican anyway.
But it’s no surprise that this is their response, since that’s been the way to treat minorities for the past ten years: marginalize, demonize, ostracize. Instead of bringing the Muslim community even more into the American fray after the attacks on 9/11, they pushed them out, conflating regular American Muslims with terrorists, under the guise of making us safer. And here with someone as ridiculously non-threatening as Common — honestly, this guy was in a romantic comedy where he falls in love with Queen Latifah, for crying out loud, a movie whose entire theme is that true beauty is on the inside — instead of just doing the least amount of work by ignoring it entirely, they’ve tried to expose him as this gun-toting, violence mongering, anti-establishment boogeyman to support the tired notion that Obama is some radical. What a waste of energy.
Instead of further marginalizing people (don’t conservatives remember that when kids hear their parents tell them not to listen to something/someone, that’s exactly what they end up listening to!?), the better move is to do what Obama did: invite them over. Then you’ll see that he’s not the boogeyman that you think he is.
Bill O’Reilly defended Fox News against Jon Stewart’s epic takedown on The Daily Show, arguing again that it’s not so much about Common as an artist, rather how inappropriate the decision was by Obama to have him present at the White House. He points to Stewart bringing up President George W. Bush honoring Johnny Cash – a man who also aligned himself with criminals and talked of shooting men just to see them die – and Sean Hannity being friends with Ted Nugent as being pointless arguments since it doesn’t make it okay just because a Republican president did it, too. But that’s not the argument that Stewart is making. He’s simply pointing out the conservative hypocrisy, how vehemently they attack this Democratic president for things that they support when done by a Republican president. That’s all.
That’s just another day in the life of those who watch Fox News for the “news,” since they live in a bubble. A bubble full of hypocrisy and total nonsense. Everyone’s said something at some point that, taken out of context, could be considered blasphemous. I mean, c’mon: George H.W. Bush invited Easy E to the White House while he was in office. Easy E! The guy who was in a group called N.W.A (Niggaz With Attitude)! A group who had a major hit with a song called “Fuck tha Police”! Like Stewart, I don’t bring this up to mean that Bush 1 made an affront to “class and decency” by that invitation at all. Quite the contrary: it was fine of Republicans and Bush 1 to invite Easy E to the White House just like it’s fine for Obama to invite Common to the White House.
People aren’t all bad. People aren’t all good. We all live in that gray area of imperfection, trying to make sense of this world and ourselves in it. The more we can learn from each other – the good, the bad, the ugly – the better we will all be. Ignoring it doesn’t make it go away and the more we can understand the other side of the coin, the more likely we’ll make better decisions – and, in the case of politicians, better policies. Which will only help us all.
Image courtesy of Tom Lohdan’s Flickr Photostream.
While Blockbuster goes through bankruptcy provisions, Amazon puts the pedal to the floor in its competition with Netflix.
Combining its already existing Amazon Prime service (which costs $79 per year) with unlimited, commercial-free instant streaming of over 5,000 movies and TV shows, Amazon seems to be the one legit challenger to Netflix's throne.
It was bound to happen. By someone. Amazon already has a giant built-in user base, though it remains to be seen how many customers will leave Netflix for Amazon. Perhaps those who have both Prime and Netflix accounts will choose to consolidate. But here's why I'm staying with Netflix:
I admit: the free shipping perks of Amazon Prime that come along with streaming video is tempting for my other online purchasing endeavors; but, it's not enough to trump the above four items for me.
Yet.
From tweens to great-grandparents, nearly everyone these days is on Facebook in some form or fashion -- whether it's for business or just to keep in touch with friends and family. And for the most part, Zuckerberg and Co. are doing a solid job. Aside from the whole privacy issues that bother people, I don't have many complaints.
But, it's me, so I still am not totally content. Here are three things I'd like to see changed in Facebook:
Those are just my current pet peeves. And I know that this is a robust, free platform, but hey - it's ubiquitous now so it might as well work properly, right?
Your suggestions?
THE BREACH OF trust—and the logistical nightmare of contacting 1.5 million users—is humiliating and harmful to Gawker in the short term, but not fatal. Ditto for the possibility that the hackers have up to four gigabytes of the Gawker newsroom's internal chat logs. Staffers said those conversations would be embarrassing if made public, but few if any great secrets are traded there.
In this day and age, online privacy is the topic du jour. Companies like Facebook make their billions off our personal information, claiming that your info is safe with them yet at the same time urging transparency as the way of the future.
That's fine for me with my photos and the info that I put up on Facebook because I want exposure for my own blogs and content. But for those who want to sign up to a site and comment in privacy knowing that their true identity will remain hidden, that's not so good.
As with all forms of security, there is no 100%. No one can provide guaranteed protection. What goes for national security is the same with online security -- no matter what provisions we put into place, someone will find away around it. Just the way it goes.
What I found amusing about the whole Gawker thing (with which I'm inherently connected since I have a Lifehacker account) is that when they emailed me to say that my password and email information had been compromised, they directed me back to the Lifehacker site to change my login information, during which they asked me for an email address -- apparently I had created an account previously without one? Meaning this: they just lost over a million emails and passwords and now they think that I'm just going to willingly hand over my previously untarnished email address to them in the guise of better security?
I think not.
I don't need to comment on Lifehacker badly enough to entrust them with more of my information that they clearly have little control over protecting.
Then again -- how many other sites do I trust that could easily become the next Gawker? Probably all of them.
Facebook’s putting up some big numbers in terms of U.S. web traffic. Right now, the site accounts for one out of every four pageviews in the United States — that’s 10% of all Internet visits.
What better stat do you need to realize that Facebook isn't just for teenagers anymore?
25% of all page views in America go to Facebook.
If you figure that most people are also checking out their email online, you could even assume that 33% of all non-email page views are to Facebook.
Facebook is even five times more popular than Google.com.
Still think that this whole social media thing is just a fad? Or that search isn't going to be taken over by social media in the near future?
I'd been fascinated by space since I was a kid, so I leaped at the chance to take an Astronomy class in college. And it nearly changed my life.
Yes, had I had any math skills beyond using my fingers and toes to do simple arithmetic, I may have continued down a path toward becoming an astrophysicist.
Okay. Full disclosure: there was no way that I was ever going to become a scientist. The furthest I got with it was thinking about having an astro minor; but, again, the math thing.
This article, though, from Gizmodo explains how the ancient Greeks were able to figure out how far away the moon is from the Earth by just using simple geometry and plenty of imagination. A simple (now, at least) calculation that we figured out 2,000 years ago has lead us to what we're now attempting to explain today:
I can only imagine what those Greek astronomers would've discovered had they had the tools available to them like the Hubble Telescope. All I know is that space still fascinates me and I'm glad that there are people out there with the numerical prowess to study the cosmos for a living.
I had been avoiding the popular iPhone photo app "Hipstamatic" solely because I was cheap. I didn't want to plunk down $1.99 for the base model. (Words with Friends on the other hand...)
Lo and behold, my frugality paid off with Instagram, which I just found out about today via @ryangallagher on Twitter -- and, I dig it. It's like Flickr meets Tumblr, coupled with your camera. Instagram is an iPhone app that allows you to take new photos or import ones you already have on your phone, apply one of a dozen or so filters to give it that cool aesthetic you want, and share with your tribe -- all while giving you the option to upload to Twitter, Facebook, Tumblr, Flickr, and Foursquare.You can then follow people and see all their latest photos and Like them or Comment, much like on Tumblr.
Love it.
Only downside is that it's only for the iPhone. Sorry, my Droid and Blackberry buddies. I bet it's only a matter of time.
Once upon a time... okay, six years ago, my buddy Matt Cassatta and I had a dream. That dream was Edison Price, a homeless vampire hunter, down on his luck, looking for a break.
I became Edison. Matt became Jack, the man who may or may not save him from his peril. And we put it to haphazard celluloid (read: mini-DV tape -- this was pre-HD being super affordable, okay?) and loved it.
Only a few dozen people had the fortune to see this, since we made it before YouTube was relevant and enormous. (How time flies in the digital era!) Now it's here for you to see, segmented into 4 parts. We hope you enjoy it.
If the city looks a lot better today, one thing that hasn’t changed about downtown is its flat skyline. The boxy look of the city’s buildings isn’t due to lack of architectural creativity, but the result of a Los Angeles Fire Department code requiring helicopter landing pads on all tall buildings
I had no idea that there was a city ordinance that requires all tall buildings to have a flat roof. That seems a bit excessive, no?
I mean, does EVERY SINGLE tall building (what constitutes tall, I wonder) need a heli-pad? I'd be curious to know how often those get used by the emergency services.
Regardless, it sure would be nice to freshen up the skyline. LA doesn't have the most impressive downtown as it is (sorry, it's true) -- least we can do is have the few tall buildings there come with some architectural and visual flair.
Could this be a reason to actually use Bing instead of Google?
I'm not sure it'll be enough to make me switch over. I use GMail. Firefox has Google search in the toolbar. I'm using Chrome more and more. I own all Mac computer products.
It would feel odd to go back to Microsoft -- even if just for a search engine. Just the other day I was asked to help a co-worker with her computer -- an ancient PC of some sort -- and it felt like I was back in my high school computer lab. It felt archaic, outdated -- obsolete. Just doing a normal search for a specific folder stressed me out (where's the Spotlight in the top right corner!?)
But, with Facebook growing to the point nearly unimaginable just a few years ago when it was just college kids posting photos of their Friday night shenanigans... makes you wonder.
I post a lot of content on my Facebook that I want people outside my current sphere of influence to find. Things like links to my blogs, links to other people's blogs, comments on articles that I find relevant, even photos. I set my privacy to Everyone for most of that stuff specifically because of the chance that people searching for topics related to what I've posted can be found in a search.
And right now: Bing is the only one to do this. Interesting to see where it goes from here. All I know is, it's going to be tough to get me to switch over when Google's search is superior in most other ways.
Nick Saint gets paid to try out both the iPhone and an Android phone and then write up the pros and cons of both. He must love his job.
But he didn't sell me on switching platforms. In reality, the only thing - literally - that I don't like about the iPhone is AT&T. The phone service is garbage. 3G doesn't work in half of LA, including my entire neighborhood. And even when I use my phone where it does have 3G service, it's still slow and times out frequently.
Don't get me started on the phone call quality. Much has been written on this topic so I'll assume you already know what I would say.
The reason that it's not so bad so as to cause me to switch: I don't talk on the phone much. It's true. I usually use it on wi-fi anyway so it's basically a mini computer. And why in the world would I go from a Mac OS to anything else?
It'd be like ditching my MacBook for a Dell. iOS 4 and the iPhone aren't perfect. But they're still light-years ahead of anything else.
It's just like TV on your computer. But on your TV.
I'm not impressed.
Having gone without cable for nearly two years, I essentially had GoogleTV by just connecting my laptop to my TV and using it like a second monitor. And let me tell you: it wasn't all that impressive.
Sure, it got me through some dark times of zero money; but, I just recently got cable TV again and this doesn't compare.
I do like the idea of being able to stream Netflix to my TV without attaching my laptop to it, but, again, that's not exactly revolutionary: plenty of Internet-ready Blu-ray players can stream Netflix for you right now. Plus they also play Blu-ray discs!
I see GoogleTV roughly comparable to AppleTV in that they're set-top boxes that aren't bad, just nothing game changing. And when you're Google and Apple, having both revolutionized Internet searches and smart phones respectively, the customer expects more than just "oh, it's like my laptop but smaller and cheaper and doesn't work as a laptop otherwise."
That close proximity and the way it was found so early in astronomers' search for habitable planets hints to scientists that planets like Earth are probably not that rare.
Der.
I mean, seriously, people. The Universe is beyond gargantuan. Just our galaxy is mindboggling huge with an absurd number of stars (have you looked up into the night sky lately? Angelenos: yes, there are stars above all that smog.), much less the Universe entire.
And we've only truly begun to look for planets because we've only recently developed the technology to see that far away at objects that small. Not to make our existence completely insignificant; far from it. I find it enriches our entire being.
To know that life is so rare yet there's even more diversity than we thought? Amazing.
Check it out: people do most of their searching twice a day: once in the morning on their computers (probably when they get to the office, yeah?) and then again in the evening on their smart phones (probably after dinner when they're lounging around).
How does this affect you?
Well, if you're a blogger and you're using Twitter and Facebook to promote your posts (and if you're not, then you really should), this may help you Tweet and Share smarter.
Let's say you're a night person. You stay up until midnight or later working that blog post and then just before you jump in bed, you hit the POST button. And if it's set up automatically, it'll then shoot out Tweets and post to your other social networks right then, too.
According to this chart, you might be missing out on your audience actually seeing your excellent, entertaining, and informative blog post that you spent so long laboring over. (You know how if you search on Google and it shows Tweets related to your search terms and it's just flying by at nearly warp speed? It's easy to miss a Tweet.)
I've done my own research on this one by Tweeting and sharing on Facebook links to my blog posts at different times of the day to see what, if any, changes in views I received. And depending on your own personal sphere of influence, you may find that there are different times of the day that they are most active online that suits your needs more than this graph. Go for it.
The point of this is to be strategic with your blog posting and syndication and promotion. Get it out there in front of the eyes when the most eyes are there to be had.
BLOG EXERCISE #1:
Take note of what times you post and promote and track that along with the number of views your post receives. You might be surprised that just changing your posting schedule gets you way more hits. Be sure to gather enough data to account for the natural difference in number of views per posts. Look for your average to climb.
You should Tweet out your links at different times of the day, multiple times a day. When you first post and want to promote it hard, Tweet it once in the morning and then again at night the same day. Even if someone saw the Tweet that morning, perhaps they were at the office and didn't have time to read it and then they forgot about it because, hey, there are a lot of Tweets out there. But if you Tweet it again when they're scanning Twitter on their iPhone and see the link again, they may be in a better situation to read your post.
People have some very different feelings on how often to post on Facebook. And I used to be of the mindset that you just post a link once and that's it. That's how I'm still going about it, but I'm wondering if maybe more posts on Facebook wouldn't be such a bad idea. Thoughts?
James W. Heselden, the owner of the company that makes the Segway, died Sunday morning when he drove one of the two-wheeled scooters off a cliff close to his home in West Yorkshire, England.
It's hard not to find this a bit amusing, even if it's a tragedy.
And we wonder why the Segway didn't revolutionize transportation. You think we'd be driving F-150s today if Henry Ford had died in his own Model-T? I doubt it.
Ryan remembers this fondly but it doesn't pack the same punch as it did when he was a kid.
Liotta does his usual schtick, this time directly to DVD.
Banderas hits direct-to-home-video with a bang... well, more of a sizzle. Actually a blip.
Who knew the best part of a Peter Weir film would be Colin Farrell? Or any film for that matter.
Ryan doesn't have the answer to this one. But that's okay because no one does.
Ryan chats with first-time feature film director Leah Sturgis about the trials and tribulations of independent film.
Ryan loves All The President's Men. That kinda sounds bad, doesn't it?
Six degrees of getting your ass killed by Kevin Bacon.
Christian Slater. Playing a priest. Also a former special forces operative. It should be a whole lot better.
It's true: Canadians are super nice. Also, not having final cut on your film sucks.
Best thing to come out of Canada since John Candy. It nearly makes up for them having unleashed Nickelback upon us all.
Gooding, Jr. and Slater in direct-to-home-video actioner. Oh, and Slater is a priest.
Star Wars gets the Robot Chicken treatment.
Apparently Sabrina and Whoa! were on a TV show together.
Seems like The Avengers are pretty mighty. The mightiest, even.
Not the sequel to Inside Deep Throat.
The RoboCop Trilogy would be vastly improved were it two movies short of being a trilogy.
Loudon Wainwright III doesn't need radio play to make music.